Wednesday, August 30, 2006

Page France Interview




If, like me, you found yourself listening to Page France's Pear and Sister Pinecone EPs, then you probably did all you could to find their earlier material. And if you did, then you surely already know how amazing their sophomore album Hello, Dear Wind is - but if you don't, then you'll be glad to hear that it's being re-released on September 12th on Suicide Squeeze Records. It's fourteen tracks of pure childlike indie goodness. You may as well listen to it now, you're going to fall in love with it sooner or later, trust me. And once you've heard it, come back here and read this interview with the man behind the music, Michael Nau. Or read it now, whatever's good for you.

Hello, how are you?
Doing well.

How would you best describe your songwriting style?
Wandering amuck, at the moment. I like writing lighthearted pop songs. I want to keep things evolving so that it gets more and more difficult to answer this question.

Are you ever tempted to move away from simpler chord progressions (for example on Chariot and Mother) for more complex songs?
Sure. New material has been a bit more complex than the previous record (though that's a short inch to jump), but for the most part, I want to keep things rather simple.

I won't ask you what the band name means, but what does Come, I'm a Lion (the debut album) mean?
It was a phrase that we'd seen on some random poster. I guess that we collectively thought that it sounded nice, and would work for the title. Long time ago.

What can you tell us about the new material?
It's really still in its building stages. I've demoed about 25 songs and many of those went to the chopping block. The songs, instrumentation, and production all just felt too elaborate to me... Even in the beginning stages, so I began writing again. I think that it's all just part of the process that I have to wade through when making a record... Getting certain habits and itches out of my system before going in and doing it correctly. We should be finished tracking the record in October. I'll be able to answer this question better next month.

What was it like touring with Danielson? Have you any forthcoming tour plans, and will you ever tour in Europe? Ever?
We actually only did one show with Danielson. That was great, though. I've enjoyed everything Daniel has done, so it was a great honor to do a show with them. We will be doing a US tour with a Anathallo in late October. I sure hope that we can make it to Europe soon... very soon.

Your singing style seems to have changed since Come, I'm a Lion - is it a conscious change?
I think that there is very significant change from that record to the next. 'Lion' was really the first thing that we ever did, and we just didn't take it seriously. We didn't know how to use our recording gear, and it's difficult to make a batch of shitty songs sound good. I'm just not proud of that record. There may have been some conciously changed elements between the two records, but I think that a lot of it simply had to do with natural growth, as a band, as well as people. We just grew up a bit.

A friend of mine, upon listening to the Pear and Sister Pinecone EPs, likened it to being a child in her back garden and finding herself fascinated with all the different insects. Does that sound right to you?
That sounds wonderful. I'm going to remember that quote. That particular description works really well, for many reasons. I was so nervous when making those EPs. I was really tweaking for a while, and then I just had to get those songs out of me. I wanted to make a soulful record, which I think Pear became. I was listening to a lot of Sly & The Family Stone while doing those songs... The opening track, 'Million Man Money Hand' was a song I tried to mirror from Sly's 'If It Were Left Up To Me'. We wanted to record those jams on 4 track, and we wanted the songs to feel different than Wind. Less cohesion thematically, while focusing more on the individual songs. I just can't find reason in making the same record twice, you know? I think that we all just wanted to unwind and make a fun record. We didn't know if anyone would like it, or if anyone would even care. So, we were just finding these sounds we'd never used before, and it felt good.. It was very liberating for me.

How would you describe it?
Simply put, it's just another page to the story, I suppose.
It's a different look for us. It's a fun, little, domestic feeling collection of songs.

Lastly, what book/album/film do you insist everyone read/hear/see?
Book : at the moment I am reading the collected stories of Amy Hempel. Very enjoyable.
Album : I am obsessing over Thunderclap Newman's Hollywood Dream record right now. Another of my all time favourite records is Margo Guryan's Take a Picture.
Film : "Love Liza". I saw it a few years ago, but watched it again recently and was blown away. Oh, and I like all Christopher Guest films.

Junkyard
Chariot
Rhythm
Bush


Danielson - Did I Step On Your Trumpet?
Amy Hempel - The Harvest

Tuesday, August 29, 2006

auf achse



I still haven't gotten an apartment, but Berlin is still a great place to be. I think it'll be another few days before we get moved in anywhere. Grizzly Bear tonight, that should be fun. I've also been listening to more Annuals and The Immediate album, I recommend them most sincerely. Snowden rock too. Also, I realised that the opening line to The Postal Service's 'Clark Gable' is very unintentionally funny. And I'm going to do a post on German music soon. That will be cool. Proper posting will begin when I have a home.

Annuals - Brother
Shiny Toy Guns - Le Disko
Snowden - Anti-Anti
The Mountain Goats - Two Headed Boy (NMH cover)
Page France - Chariot
The Indelicates - Vladimir
Arcade Fire - Burning Bridges, Breaking Hearts
The Rakes - The World Was A Mess But His Hair Was Perfect (long version)

Wednesday, August 23, 2006

Contest! Rock! Roll! Music!



Having seen Two Gallants live, I can tell you that they rock quite hard. I've also heard that Wolfmother rock even harder than them. And I can only assume that Gov't Mule rock pretty darn hard too. So if rocking to various degrees is your thing, and you live in Brooklyn (or anywhere nearby, I'm not picky) then this contest is for you. And The Torture Garden is a sponsor, so you know it'll probably be the best night of your life. Click above (where it says to click) to enter.
Also, The Chalets, Neosupervital and The Immediate were pretty excellent last night, though we missed most of The Immediate's set. The Chalets debuted some new songs, some of which were 'Cloudbound' and 'Afric's Theme'. They also played this wonderful old unreleased song:

The Chalets - Gay Holiday

I think this is my last post for a little while, so I'll leave you with songs from the following highly recommended bands (consider it an Auf Wiedersehen mix):

Annuals - Dry Clothes
Kimono - Aftermath
My Brightest Diamond - Golden Star
The Immediate - Stop and Remember
Annuals - Brother
Snowden - Black Eyes (Le Castle Vania Disco Remix)
Cold War Kids - Hospital Beds
Page France - Junkyard
Annuals - Bleary Eyed
Peter, Bjorn and John - Young Folks
Tapes'n'Tapes - Insistor
As Tall As Lions - Ghost of York
The Bicycles - Paris, Be Mine

Lastly, if you want to be nice, you can click here and vote for me on the irish blogs listings. It only takes a second...

Tuesday, August 22, 2006

the graveyard is full of people who would love to go out tonight



Tonight - Neosupervital (that's him), The Immediate, and The Chalets. Hurray!
Today - My Birthday - Hurray!
Tomorrow - I get ready to leave for a year in Berlin. Hurray!

Sufjan Stevens - Happy Birthday
Andrew Bird - Happy Birthday

Elsewhere...
My Brightest Diamond's album is released today, to almost univeral wonder and awe.
Cold War Kids are the latest to record a session in the Daytrotter studios, and a mighty session it is too - clicky.
Architecture in Helsinki are continuing work on their new album, as well as compiling a remix album:

"Thus far we have mixes from Mocky, Hot Chip, Dat Politics, Squeak e Clean, Qua, 33HZ, Franc Tetaz, Isan, DJ Medhi and Safety Scissors, with a few more to be confirmed. We are ultra happy with the way it is turning out, a wild and motley crew have been involved and their interpretations cater for all moods, for feet, heart and brains! This should see a local release in Australia and the US sometime in September/October, and all going to plan we willl have it to sell on tour in the US in a few of weeks."

Unfortunately, the band are now a six piece, as Tara and Isobel have left, but surely the new album will not suffer: "Suffice to say, the jamz are sounding dope, though, we are probably getting a little too into Cameron's Latin percussion drum machines (the Phil Collins influence is definitely putting a dampner on that!) All according to plan we should have the record finished by the end of this year for an early to mid 07 release date, hopefully, we will also be able to squeeze in a new single in the meantime."

I may not get a chance to post till next week - I have no idea when we're gonna find an apartment, but hopefully it'll all be organised before Grizzly Bear on the 29th. So.... yeah.

Radio Birdman - We've Come So Far (To Be Here Today)
Cassettes Won't Listen - The Freed Pig (Sebadoh cover)
Blanket Music - Red Right Ankle (Decemberists cover)
Belle & Sebastian - White Collar Boy (live video and fine promo video)
maxfemm - live (video)

Saturday, August 19, 2006

Lou Barlow / Sebadoh Interview



Lou Barlow has been responsible for at least two great albums that I know about - his solo album of last year Emoh, and the now semi-legendary 1991 album by Sebadoh, III. With the album's upcoming re-release on Domino records, it's interview time. Unfortunately, I knew little about Sebadoh's complicated history, and didn't have much time to research it. Throwing caution to the wind, I decided to forego typical album questions, and to ask for advice on recording, interviewing, and what I should do in life. So, if you're a fan of Sebadoh, this interview is probably I bit of a disappointment, but at least I get mildly (and probably deservingly) insulted.

Hello. I was six when III was released - do you think the album has an appeal that is rooted in its time, or are many aspects of it doomed to be lost on me?
hell if i know..depends on what you like.. i'd like to think there are a few timeless nuggets buried on the thing but i love f-ed up, cut-paste-off-the-cuff lo-fi crap.. it's not a sacred cow..it was criticised for its lack of cohesion and technique in 1991..the same is happening now..

Do you think it deserves its status as a foundation stone of lo-fi?
considering all the lo-fi shit i listened to as a youngster (swell maps, young marble giants, first wave american hardcore etc etc.. it's hard to take the idea that we founded ANYTHING seriously.. i do think it's got some grade A lo-fi on it..and a fair amount of mid-fi too..

If you could sum up the entire Sebadoh experience, ethos and output in one sentence, what would it be? What is the best thing about it?
we were free to do what we wanted but never knew what we wanted..

I've been engaging in some home recording recently, with mixed results. Have you any advice on the subject?
make it interesting for yourself..for me that was doing anything from recording naked to singing into a sink..

Actually, I first began listening to Sebadoh (via Emoh) when I was told that I sing like Lou. What should I do about that - and does it seem strange for people to find Sebadoh material after they hear more recent solo efforts?
that means you have no style..'singing like lou barlow' means without affection in a generic mid range.. sorry about that.. it doesn't seem strange that one might hear EMOH before sebadoh..
that makes me happy actually..

What are your opinions on music blogs - do you think they are more good than bad, and do you think they will stay independent?
if by blogs you mean people blabbing about music and how smart they are, that's ALWAYS been around..fanzines, some know-it-all at your local record store, timeless..i think it's great that people have opinions and sometimes i enjoy listening/reading to them..as far as 'staying independent'.. isn't some jerk telling everybody why so and so sucks an inherently independent venture??..other than the handfull who get hired to do it..

Am I a good interviewer? Or do you think I should just play music and follow my dreams? Please note I will probably follow your advice.
i have no idea if you are a good interviewer... you're sort of obnoxious (i.e. asking if you are a good interviewer) and that's ALWAYS a good thing.. pro-music will break your f-in heart, don't do it..(and if you sound like me i don't need any more competition, its tough out there)

From III
Sebadoh - The Freed Pig
Sebadoh - Gimme Indie Rock
From Emoh
Lou Barlow - Morning's After Me (formerly known as the Colonel Jeffrey Pumpernickel song)
Lou Barlow - Caterpillar Girl

{Buy Sebadoh's III}

Review of the Interview
Rating: 7.5

Well. There's not much here, is there? And I do come across a bit obnoxious. Then again, I suppose it's hard to interview someone you know little about - you don't want to end up asking them their favourite colour, or word, or something. And interviews by email are often pretty awkward (though telephone can be worse). However, it's never a good idea to have nearly as many questions about you as are about the subject, no matter how honest you're trying to be. If he had just given one-sentence answers I would have had to abandon the whole thing. But hey, it worked out well in the end - you just need to come up with some more generic questions (did you always know you wanted to play music?) for use in emergencies.

If you liked this interview, you might also like...

The My Brightest Diamond Interview - also by email, but funny, interesting, and with really long answers!
The Casiotone for the Painfully Alone Interview - heavily intellectual, and much less awkward than this one.
The Final Fantasy Interview - just funny really.

early days



No matter what you think of his music, there's no denying that Bono is a hypocrite. Full stop.

Page France - Bush
Shipping News - Axons and Dendrites

Arcade Fire covers!!

1. Maps (Yeah Yeah Yeahs) (BBC Radio 1 Live Lounge, 09/09/2005)
2. Age of Consent (New Order) (Edmonton, 04/10/2005)
3. Born On A Train (Magnetic Fields) (KCRW Session, 17/01/2005)
4. Five Years (Bowie) (Seattle, 21/09/2005)
5. State Trooper (Bruce Springsteen) (Edmonton, 04/10/2005)
6. Brazil (Ary Boroso/Bob Russell) (unknown source: B-side?)
7. This Must Be The Place (Naive Melody) (Talking Heads) (CBC Session, 02/10/2004)

Friday, August 18, 2006

A Quick One While I'm Away



THE RAKES LIVE IN FRANCE 03/04/06

Setlist:
Terror!
Retreat
We Are All Animals
Man With A Job
Work Work Work (Pub Club Sleep)
The Guilt
T-bone
All Too Human
Open Book
Binary Love
Dark Clouds
Violent
Ausland Mission
22 Grand Job
The World Was A Mess
Something Clicked And I Fell Off The Edge
Strasbourg

Sorry, I'm busy, but we all love The Rakes, don't we? Yes.

The Arcade Fire - Burning Bridges. Breaking Hearts
The Indelicates - Waiting for Pete Doherty to Die
She, Sir - The Clandestine
Jed & Lucia - World on Fire
The Black Neon - Ralph and Barbara (a GDR army song)

Thursday, August 17, 2006

The Immediate



First of all, I should explain something. Since I started this blog, I've developed a habitual distrust of over-hype and those who would create it. Recently I've begun to deliberately avoid some bands who were quite earnestly held up as great things, usually with good reason - Tapes'n'Tapes and CSS are prime examples. I like their music, but initially I found myself refusing to listen to them, simply because I was tired of the hyperbolic writing that they couldn't be separated from. It seems there is a new saviour of music in the blog press far more often than the mainstream press (NME excepted), and even though the band may be utterly deserving of the attention, as is usually the case, it can still be off-putting.
It was the same when I first heard murmurs about Dublin band The Immediate. I was particularly disillusioned with the Irish music scene, for reasons best illustrated by this fact - of the many popular Irish bands playing at the Bloom Festival, I'm excited by three. This realisation, coupled with the sheer amount of bands talentlessly ploughing the wiry-guitar-jerky-drumming furrow like idiots on a collective farm convinced me to forget about them. This was a mistake.
Their new single 'Stop and Remember' changed my mind instantly, bringing me around with a curling melody line that tugs at your mind like someone beautiful who wants you to dance, and enough originality to suggest that they may be able to reclaim the genre from all those crap farmer bands - it's easily one of the best songs of the year. The song alone is the reason I'm writing about them so hyperbolically, so please, listen to it. You'll love it.

Stop and Remember
Never Seen
Aspects

Watch the video for 'Stop and Remember' here, and buy (or stream) their debut album here - it's released tomorrow, which is when they also begin the following Irish tour:

Friday 18th August '06
DUBLIN HMV Grafton Street @1pm
Friday 18th August '06
DUBLIN Whelans ALBUM LAUNCH PARTY
Saturday 19th August '06
DUBLIN Tower Records @5pm
Tuesday 22nd August '06
TRALEE Town Centre
Wednesday 23rd August '06
CORK Cypress Avenue
Thursday 24th August '06
CLONAKILTY DeBarra's
Friday 25th August '06
CLONAKILTY DeBarra's ALL-AGES SHOW @5pm
Saturday 26th August '06
DUNDALK Spirit Store
Thursday 31st August '06
LIMERICK Dolans (upstairs)
Saturday 9th September '06
MULLINGAR The Stables
Wednesday 13th September '06
GALWAY Cuba
Thursday 14th September '06
BELFAST The Black Box
Friday 15th September '06
WATERFORD Bowery Ballroom
Sunday 17th September '06
DUBLIN The Speigeltent - Dublin Fringe Theatre Festival
Wednesday 27th September '06
DUBLIN IDTSU Freshers' Ball
Friday 29th September '06
BUNDORAN SurfRock Festival at Chasin' Bull

Labels:

I'm selling my guitar and so should you



The Delgados - Mr Blue Sky (ELO)
The Strokes - Clampdown (The Clash)
Cat Power - Dreams (Everly Brothers)
Elbow - Teardrop (Massive Attack)
Muse - The House of the Rising Sun (The Animals)

Bigger, better post later.

Wednesday, August 16, 2006

This Is A Post With Covers



I refused to tell you about this because I hated it when, as a kid, it seemed you had barely gotten your holidays and there were signs up encouraging you to think about school already, but it's a great mix: back-to-school-songs! You can thank the genius at Music For Kids Who Can't Read Good. It also features my new favourite band (who really should be my old favourite band) Belle & Sebastian. And! There's a cover album of tributes to B&S here!

Oh yes, the covers. I nearly forgot.

Architecture In Helsinki - Love is the Drug (Roxy Music)
Colin Meloy - Every Day is like Sunday (Morrissey)
Sufjan Stevens - She Is (Tim Buckley)
The Go! Team - Soldier Girl (Polyphonic Spree)
Death Cab for Cutie - All Is Full of Love (Bjork)

Tuesday, August 15, 2006

The Decemberists Interview (it's a bit old...)



Quite a while ahead of the proposed date of October third, The Crane Wife has leaked (more or less - some songs are apparently missing). I'm not sure if this is a good thing or bad - one the one hand, hurray, I don't really have to wait anymore! But on the other, poor Decemberists, tricked by the medium without a master. They're so nice to the internet, they even allow us to download a scruffy-collared demo of the Tain (part 1) from their MySpace. Maybe they're now happy to be signed to Capitol, who shall trample (probably) on people intent on passing it on. But if the band are unhappy about it, maybe that's okay.

Engine Driver
Bridges & Balloons (Joanna Newsom)

Anyway, here for your reading pleasure is an email interview with Chris Funk (pictured with a red apron), guitarist and Decemberist, which I did almost a year ago and have never yet shared with you. It's old, and a bit rushed, but interesting enough - he does give his opinion on downloading, and their early plans for the new album. Maybe the questions are a bit amateurish too, as it was my first interview. But you might like it...

You've sold out the Bowery in NY, but you'll be playing smaller venues in Europe - the stage in the Berlin venue is the size of a small bedroom - which do prefer? Is your music more suited to grand venues, or more intimate settings?
Playing smaller rooms is great as we can really connect with the audience and the sound is usually really good. However it can also be a pain as we have so much gear and hardly fit on these stages as it is.

If you weren't with the Decemberists, who would you most like to play with?
Probably a local Portland, Oregon bar band you've never heard of, which is what the Decemberists were for many years.

As a musician trying to make living, what do you think of music downloading?
Well, I am making a living doing it, so to say folks should stop doing it would appear a bit greedy, wouldn't it? I'm happy with my living, and in fact honored that I can do this. I'm not the feds, so I guess I don't care to much about it at this point.

The Tain is based on an old Irish myth. How did it come to be the basis for an Decemberists EP?
I believe it started with the opening riff. At the time it was sort of odd for a band like us to even consider cranking up an amp. We just kept playing with the riff, added parts and soon had something that resembled a prog-metal anthem. I guess minds went wandering for source material to support such a foolish guitar wank. Turned out pretty cool, no?

What's the best new band you've seen?
Kind of a silly question...there is this great band from London called Atakku...AMAZING!

Lyrically, your music is often rooted in the vocabulary and literature of the nineteenth century, and to put it simply, no one else is doing anything quite like it. Do you think this has helped or hindered your popularity? Do you think you've helped any fans discover Nabokov or Dylan Thomas?
I believe initially it has set us apart from other touring rock bands, or bands in our "indie" world. I believe it could hinder us a bit if we decide to go into another direction, we'll see. I don't think anyone who hasn't read Thomas or Nabokov by the time they discover us will go out and find these authors, no, though I have no idea.

You're firmly established as part of the American indie scene, but with Picaresque receiving very positive reviews over here, do you think you could make a similar impact in Europe?
Good reviews? Oh, I didn't know, that's nice to hear. Sure, I guess so. Reviews sure help folks find us. I'd like to think the shows have to be good, moreover the music. We would love to continue touring in Europe, so sure, that would be great.

Your albums have grown in scale and ambition as you've become more successful. Will the next album be even more grandiose?
We'll have to wait and see. One really doesn't know what will come of sound until it's created and you are locked into a room and creating. I know we are ready to grow again, whatever that means. Probably a step in the direction of Justin Timberlake, we've been talking to the Neptunes about working with them. That was a joke.

Do you wish you could go back to songs on Castaways & Cutouts and record them again, now that you have more money to do what you want?
No, no way. I love that record and listening back to it, thinking about tour lives then. I had "officially" just joined the band during that record and I remember being just blown away by the music and wondering why nobody like the band that much. Funny. It stands as a time piece for progression and also I just love the record.

What do you do for fun on tour, and what cities do you enjoy visiting the most?
Fun? Well the shows are the most fun. Most of touring is waiting around, trying to catch up on sleep, doing laundry, nothing glamorous. We usually have a laugh after shows with each other and our crew, we are all great friends. The best cities for us are San Francisco, Austin, New York, North Hampton...

Given your relative outsider status, do you think the Decemberists will ever become a truly radio-friendly, accessible band? Do you think that you'll ever make an album of 'July, July's?
It's funny, in the States we really don't feel like outsiders. It's hard to feel underground when you are selling out 1,000 cap shows. Radio friendly, well, I feel like we already are. Getting on the radio is more about label status, money and corporations and not about the music isn't it? And no, I don't think we'll make just a singles record if that is what you are suggesting, what fun would that be?

Do you feel positive about the current state of music?
Of course I do. There is always great music being released. I've never been one of those folks who gives up on music. I wouldn't want to miss anything.

What can we expect to see at the Berlin show? How should we prepare?
Bring rain coats. We are incorporating some stage antics somewhere between Gallagher and ICP....

Monday, August 14, 2006

Joanna Newsom + niceties



Joanna Newsom's new record will be out in November, and is to be titled Ys. Here is the tracklisting:

1. Emily 12:07
2. Monkey & Bear 09:29
3. Sawdust & Diamonds 09:54
4. Only Skin 16:53
5. Cosmia 07:15

Most of these songs are excellent - with the exception of 'Monkey & Bear' you can find them here. But even rarer still, here are some covers of and by her. The cover of America's 'A Man's Road' (from The Last Unicorn) is from a show in Berlin, and is really amazing, while the different versions of 'Peach, Plum Pear' are interesting. Enjoy!

Joanna Newsom - A Man's Road (America cover - original here)
The Decemberists - Bridges & Balloons (studio version)
Nomo - The Book of Right On
Fuck Buddies - Peach, Plum, Pear
Final Fantasy - Peach, Plum, Pear
Joanna Newsom - Peach, Plum, Pear

Also, after the search engine fun of yesterday, I discovered that if you enter something like 'torture sufjan stevens' or 'torture the arcade fire' into google, you'll probably end up here. 'Torture shane' works too. I feel slightly proud.

Today we were designing new souvenir t-shirts for the shop in which my girlfriend and I work. Anyway, since there's nothing like laughing at tourists, here are some of the slogans we rejected:

"Ireland: Terrorists don't hate us!"
"Dere's more to Oirland dan dis."
"Ireland: so good we don't all try and leave it anymore"
"Ireland: 200,000 Poles can't be wrong!"
"Ireland: Now practically zero risk of explosions (once you get off the plane)"
"Ireland: Come back, we've hidden all the poor people!"

I know, I know, bad taste. But still. Best suggestion wins a cd.

Sunday, August 13, 2006

Search Party

Saturday, August 12, 2006

Why You Should Listen To The Bicycles



Well, at a time when indie music would seem to rule all, but no-one knows exactly what it is, The Bicycles seem to have it down right to the last note. I bet their t-shirt size says not L or Xl, but Indie - just small enough to hug you like one of the animals who adorn the cover of The Boy Least Likely To's album. You know. So that's kinda what they sound like: hand-claps, funny-but-nice chord changes, unprofessional but utterly charming vocals, addresses in Canada.
The perfect entry into their world is Paris, Be Mine. At first it seems just a bit too short, too simple and slightly throwaway, but because you put it on that cd of Songs You Meant To Listen To, you listen to it some more, and pretty soon it has barricaded itself inside your head, and pretty soon after that, you seek another Bicycles song to keep it company, because they're in their now anyway. So it's an excellent song in disguise as a piece of fluff - it's a Trojan Horse song, if you will. I will.

Paris Be Mine
Gotta Get Out
I Know We Have To Be Apart

Also, Marcy has a new feature called (probably) Better Late Than Never, about finally getting into bands you never really paid attention to before, even though they were everywhere. It seems really appropriate, because not only have I just started listening to them, I bought my first ever Belle & Sebastian album this week, and I do indeed love it.

in defence of plums



Firstly on a friday, here is a song which is new to me by a band which is mostly new to me - Pony Up!

Pony Up! - The Truth About Cats And Dogs (Is That They Die)

It's really good! This guy has more on them.
Also, if you haven't heard Thao Nguyen yet, go to Daytrotter and grab a four-song session, man, it's excellent, I tell you. Soon you will be able to hear bands like Cold War Kids, Sound Team and Page France on Daytrotter. Wow!
Umm... Weekends are quiet because I am busy. But I'm getting better at the violin. Also, I'm moving back to Berlin in 13 days, and hopefully I'll be able to see Grizzly Bear when I get there. But I'll just miss Regina Spektor. Oh!

Grizzly Bear - Fix It

Friday, August 11, 2006

Explosions In The Sky



For some reason that I can't remember I decided to post about this band today, and it's only now that I've typed their name that I think I know why. Their name does bring to mind today's headlines...
Anyway, the point is, they have an EP which you can download for free on their website. It's called The Rescue EP, and is made up of eight songs - each of them composed in one day, for eight consecutive days. They're and excellent band (and amzing live), so good I wish I had more time and energy to expend on explaining it inescapably, but I don't, so make do with all of the following:

Day 1
Day 2
Your Hand In Mine
The Long Spring

Live show
First and second sessions for KVRX
Shows on the Live Archive

Wednesday, August 09, 2006

In Defence of Sufjan



Jonny Greenwood once remarked "If you believe the hype, you have to believe the backlash." Well, after all the heaps of sugary praise, the backlash against Sufjan Stevens is slowly building. Murmurs about the low quality of The Avalanche have helped it on its way - let's be honest, there are only about five great songs on there, and not a few dull ones - and recently it reached a new level, with an AllMusic article in which Stephen Thomas Erlewine attacks just about every reason to like Sufjan.
He doesn't give much of a motive, except for the fact that so many people seem to enjoy the music, and he can't understand why. Obviously this can be deeply frustrating, and I think everyone has at least one band whose charm is lost on them (personally I don't really get REM), but Erlewine doesn't accept this, he figures instead that it's the wider mass of critics that are at fault: "[T]his week's release of The Avalanche only offers further proof that Sufjan Stevens has been wildly overpraised for music that has deliberately limited appeal." Since we can assume he has no problem with music of a limited appeal, given the amount and semi-obscurity of names dropped in the article (Tupper Saussy, Neon Philharmonic, Elliott Smith, Randy Newman, Van Dyke Parks, Jimmy Webb and more) the problem must be with that people like the very things in Stevens' music that irritate Erlewine.

"[E]ven if Sufjan can play oboe, even if the time signatures in his songs shift, his music doesn't play as sophisticated, because of the school-report nature of his subjects -- each song is thoroughly researched, spit-shined, and presented for the class, as if he's reciting all that he learned during his time in the library -- and there's not much variety within the music itself." He derides anyone who sees a complexity in the music("there is often a tendency to label any album with woodwinds and brass as being sophisticated") for some apparent critical short-sightedness. As a description of the songs, it's pretty glib. Even if you cede that pieces like 'John Wayne Gacy Jr.' are heavily fact-based, it's not lacking in any emotional punch for it, or for its obvious four-chord simplicity. Album highlights such as 'Casimir Pulaski Day', 'Chicago' or 'The Predatory Wasp of the Palisades Is out to Get Us!' ( as well as the best of the outtakes) are all deeply personal songs, and while there is a clear parity between the style evident on both Illinois and The Avalanche (and to a lesser extent, Michigan) tracks like 'They Are Night Zombies...' and 'Out of Egypt...' do stand out from the pack. If Sufjan simply repeated songs as plainly and uncaringly as the author suggests, it would surely be disastrous, but the fact that it works is testament to the consideration put into the music. His criticism that "most songs on Illinois and The Avalanche... all bear strikingly similar arrangements" is simply nitpicking - the newer songs were cut for this reason and others. The fact is, Sufjan has recorded many b-sides and unreleased songs which are superior to the newer outtakes - 'Borderline' is an obvious example.
Once you're familiar with and fond of Sufjan's music, Erlewine's assertion that the fifty states conceit is a kind of replacement for any real talent seems petty: "[His music] certainly doesn't have the complexity or range of Sean O'Hagan's or Jim O'Rourke's work, to name two contemporary touchstones -- he needed a hook like the states project to make himself stand out from the pack." It's neither a substite for a talent nor a distraction from a lack of it - it's simply a focus for it. Writing about a state is as valid as Neil Young writing an album about an invented town (Greendale) or an album of protest songs. He dubs it a "schoolboy's conceit", but neatly sidesteps songs about grave loss, troubled families and religious thoughts.
By continually comparing Sufjan to his preferred musicians, Erlewine attempts to cast him as someone who tries and fails to reach the same heights: by framing an argument around the complexity of music, he simply has to point out that some people have done that better. Comparing anyone to Brian Wilson is an act meant to do no favours - some of the best songs Sufjan ever wrote were simple four-chord pieces, like 'Romulus' or 'Chicago'. Even when he makes a fair point: "Stevens never taps into the musical history of a state" it's slightly contradictory to attack a writer for the plan he has, and then criticise him for doing it wrong (in any case, Sufjan himself said that to some extent the horns on Illinois were inspired by Chicago's jazz musicians). He criticises the songwriter for not drawing listeners in, even when the combination of the artwork, the production and the song titles create a unique world which intrigues the listener; and even then, the full title of the album is Sufjan Stevens Invites You to Come on Feel the Illinoise.
Criticising everything a musician is about simply because he does not live up to your media-induced expectations, or displace your favourite artists, is not really valid - at least not when the music produced is this endearing. Erlewine is obviously entitled to his opinion on the music and the fifty states project, just as I'm entitled to differ, but he didn't have to write an article this comprehensive in its attack.

Chicago
Borderline
Casimir Pulaski Day
The Henney Buggy Band

Kimono (or a somewhat strange post)



While in Berlin (whence I shall shortly return), I once found myself sitting in a bar with a great many foreign students (who all spoke English as well as German) including folk from Sweden, Fife and Iceland. As well as developing a sudden and irreversible sporadic fondness for using brackets (like this), I also learned two important facts about Icelandic people:
One: They all know one another.
Two: They have one of the best national drinks in Europe, known as Brennevin.

Anyway, one of the Icelandic folk was a bass player, and he was in a band called Kimono, and I paid absolutely no attention until about three months later, as I found myself perusing the Bad Taste (Smekkleysa) website.
Now, Bad Taste is an Icelandic record label formed by the Sugarcubes in the eighties, but more importantly to the average blog reader, they are the home of Sigur Ros, Múm, and the geniuses in Storsveit Nix Noltes. And... Kimono!
What do they sound like? Well. A bit like if Explosions in the Sky were much bigger than Sigur Ros, and so Sigur Ros were massively inspired by them, as well as some other generic heavier band whose name I only ever use to better describe a band I actually like. You see, I like Kimono, and you might too. Their last album was Arctic Death Ship, and the below mp3s are tugged from it like a set of newborn triplets. While in Berlin, and since then, they were, and have been working on a third release, which is good news for all concerned. Feast your ears on this:

Aftermath
Sonar
Onomatopoeia

{Buy Arctic Death Ship}

Bonus mp3:
Storsveit Nix Noltes - Krepatka - like a crazier, more authentic Beirut. Even though they are Icelandic.

Monday, August 07, 2006

sunday night/monday morning



The Arcade Fire - Cars & Telephones
Radiohead - Permanent Daylight
Peter, Bjorn and John - Young Folks
Wolf Parade - Modern World
Joanna Newsom - Peach, Plum, Pear
The Arcade Fire - William Pierce
Sunset Rubdown - Swimming
The Chalets - David Boring
My Brightest Diamond - Golden Star
The Arcade Fire - Sonata
Sufjan Stevens - Borderline
My Brightest Diamond - Disappear (live)
The Arcade Fire - Accidents
Division Day - Bad Black Moon
Les Mouches - Close to You
Rademacher - It Really Shouldn't Matter
Beirut - Postcards from Italy
The Chalets - Nightrocker (2fm session)
The Arcade Fire - Winter for a Year
Final Fantasy - Arctic Circle
JJ72 - Oxygen (demo)
Thom Yorke - Last Flowers Till Hospital (acoustic)
Bell x1 - Flame
Petr Novak - Knihovna
Cathy Davey - Sing for your Supper - Officially my favourite Irish song ever - you really do need to hear it. I guarantee that you will find it amazing, it's too good not to love. Really!
The Chalets - Go Go (Don't Go - 2fm)
The Arcade Fire - Surf City Eastern Block

Elsewhere - this is my second favourite biscuit (the first being Fox's classics, which are really more like bars).

Gay Marriage and the Free Market (posting while drunk)

The unanimous irritation caused by the human and psychological damage brought on the American people by the unexpected and shocking death of thousands of innocent people whose images have shaken the world is perfectly understandable. But who have profited? The extreme right, the most backward and right-wing forces, those in favor of crushing the growing world rebellion and sweeping away everything progressive that is still left on the planet. It was an enormous error, a huge injustice and a great crime whomever they are who organized or are responsible for such action.
After the shock and sincere sorrow felt by every people on Earth for the atrocious and insane terrorist attack that targeted the American people, the most extremist ideologists and the most belligerent hawks, already set in privileged power positions, have taken command of the most powerful country in the world whose military and technological capabilities would seem infinite. Actually, its capacity to destroy and kill is enormous while its inclination towards equanimity, serenity, thoughtfulness and restrain is minimal.
The first victims of whatever military actions are undertaken will be the billions of people living in the poor and underdeveloped world with their unbelievable economic and social problems, their unpayable debts and the ruinous prices of their basic commodities; their growing natural and ecological catastrophes, their hunger and misery, the massive undernourishment of their children, teenagers, and adults; their terrible AIDS epidemic, their malaria, their tuberculosis, and their infectious diseases that threaten whole nations with extermination.
The grave economic world crisis was already a real and irrefutable fact affecting absolutely every one of the big economic power centers. Such crisis will inevitably grow deeper under the new circumstances and when it becomes unbearable for the overwhelming majority of the peoples, it will bring chaos, rebellion, and the impossibility to govern.
But the price will also be unpayable for the rich countries. For years to come it would be impossible to speak strong enough about the environment and the ecology, or about ideas and research done and tested, or about projects for the protection of Nature because that space and possibility would be taken by military actions, war and crimes as infinite as "Infinite Justice", that is, the name given to the war operation to be unleashed.
Can there be any hope left after having listened, hardly 36 hours ago, to the speech made the President before the U.S. Congress?
I will avoid the use of adjectives, qualifiers or offensive words towards the author of that speech. They would be absolutely unnecessary and untimely when the tensions and seriousness of the moment advise thoughtfulness and equanimity. I will limit myself to underline some short phrases that say it all:

"We will use every necessary weapon of war."

"Americans should not expect one battle, but a lengthy campaign unlike any other we have ever seen."

"Every nation in every region now has a decision to make. Either you are with us or you are with the terrorists."

"I've called the armed forces to alert and there is a reason. The hour is coming when America will act and you will make us proud."

"This is the world's fight, this is civilization's fight."

"I ask for your patience ... in what will be a long struggle."

Finally, an unheard of confession in a political speech on the eve of a war, and no less than in times of apocalyptic risks: The course of this conflict is not known; yet its outcome is certain. "And we know that God is not neutral."
This is an amazing assertion. When I think about the real or imagined parties involved that bizarre holy war that is about to begin, I find it difficult to make a distinction about where fanaticism is stronger.

Fidel Castro, September 2001

Bloc Party - Pioneers
Bloc Party - Like Eating Glass
Sufjan Stevens - The Tallest Man, The Broadest Shoulders
Yeah Yeah Yeahs - Dudley
Radiohead - Pyramid Song
Muse - Invincible
Annuals - x
Rulers of the Planet - Backbencher
Radiohead - Permanent Daylight
Peter, Bjorn and John - Young Folks
The Spinto Band - Oh Mandy
The Bicycles - Paris, Be Mine
The Hourly Radio - Crime Does Pay

Yes, I do think Castro is good. So what? Is this speech not incredibly precient? Viva Fidel! etc.

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Saturday, August 05, 2006

New International Standards = Old Arcade Fire



If you were in the front row for the Arcade Fire show at the Electric Picnic last year, you might have noticed Will Butler lighting matches next to Richard Reed Parry's head - apparently, aside from just looking pretty cool and inventive, this was to ward away our awful summertime super-moths, as poor Richard is allergic. Maybe it was part of this whole 'Irish Evil' thing going around. Is Irish Evil universal?
Anyway, here are the songs and the information:

"Is it true there used to be a big rivalry between the New International Standards and the Arcade Fire?
[Laughing] No. We were really good friends. We use to go see each other play and then the New International Standards fell apart. And me and Tim [Kingsbury, bassist] joined the Arcade Fire and Jeremy, our new Arcade Fire drummer Jeremy Gara was in that band also."

The New International Standards - Demo

Does it sound like the Arcade Fire? No, not really. If you don't like it, fear not! Have some live Regina Spektor.

Listen to this band!



Ok, weirdly enough for a music blogger, I don't really read Pitchfork. I'll only end up there if someone else plucks a link from them and makes it sound tantalising enough. But when Pitchfork describe a band as “some fantasy hybrid of Animal Collective, the Arcade Fire, and Broken Social Scene”, I figure I'd better pay attention.
Annuals seem to have the dreamy qualities of all these bands - mainly Animal Collective, it has to be said - and share their label with Tunng and DeVotchka. But though I can't get Animal Collective (so so bad live...) I plan on making space in my day to get to know these songs a little better. They sound like getting hit by a snowball in winter while wearing your girlfriend's lovely colourful scarf. Ha! Now you have to listen to them.

Brother
X
Dry Clothes

Unrelatedly, I was thinking of posting the first song from Swan Lake last night - Swan Lake being the most-almost-certainly-orgasmically-brilliant indie supergroup featuring Spencer Krug (Wolf Parade, Sunset Rubdown), Dan Bejar (Destroyer, New Pornographers) and Carey Mercer (Frog Eyes) - but delayed, and now, it would serve absolutely no fucking purpose, because here, here, here, here and here they've already done so, thus showing the rushing echo chamber chines whisper nature of this blogosphere. Is something only original once?


Anyway, their song titles look quite intriguing...

Beast Moans:

01 Widow's Walk
02 Nubile Days
03 City Calls
04 A Venue Called Rubella
05 All Fires
06 The Partisan But He's Got to Know
07 The Freedom
08 Petersburg, Liberty Theater, 1914
09 The Pollenated Girls
10 Bluebird
11 Pleasure Vessels
12 Are You Swimming in Her Pools?
13 Shooting Rockets

Oh, and check out the new Perry Bible Fellowship site. It's nice. And when Sufjan's site returns, will it tell us what his next state is?

Thursday, August 03, 2006

The Bloom Festival



A free five-day music event, with some of the best in Irish music, all taking place in the town square of Tralee. This is just what this country needed, a free music festival. But... The Chalets! And Neosupervital! This guy! And... Oh!
I'll finally get to see Giveamanakick (Limerick's answer to The White Stripes) as well as Jape, Cartoon and Scenes, who I'm all intrigued by. But best of all, I'll get to see Neosupervital and the Chalets on my birthday!

Friday 18th – Republic Of Loose, Rulers Of The Planet, Dry Country & Philtre
Saturday 19th – Delorentos, Cartoon, Scenes & Heliopause
Sunday 20th – Redneck Manifesto, Jape, Survivors Of Space & Avatar
Monday 21st – Giveamanakick, Ten Past Seven, Rest & Windings
Tuesday 22nd – The Chalets, Neosupervital, The Immediate & Dwight

The Chalets - Love Punch
The Chalets - David Boring (non-album track)
Neosupervital - Rachel (video)
Dry County - Lost Now
Republic of Loose - Ignition Remix
Rulers of the Planet - Backbencher
Windings - God Knows
Giveamanakick - Ger Canning
Rest - Rest go POP
Ten Past Seven - Comedy Night
Windings - It's Ok
Jape - Floating
The Chalets - Feel The Machine (video)
Cartoon - Move On

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As Tall As Lions



This is the first of a few new bands I am rushing to recommend to you, because I haven't done that in a while, and because I've been meaning to but, y'know, I never do. Well now I am! Yes.

As Tall As Lions sound a bit like a very polished Radiohead would if they were inspired by Bloc Party, instead of it being the other way around - they even have a track called 'Song for Luna'. You can stream their new album at Absolute Punk, and listen to this song:

Ghost of York

And, maybe...

8/08/06 West Babylon, NY In Store @ Looney Tunes 7pm
8/09/06 S. Hackensack, NJ School of Rock
8/10/06 Hartford, CT Webster Underground
8/11/06 Allston, MA The ICC
8/12/06 Albany, NY Valentines
8/13/06 Providence, RI The Living Room
8/14/06 Amityville, NY Village Pub South
8/15/06 Nashua, HN Nashua VFW
8/21/06 New York, NY Knitting Factory
8/22/06 Buffalo, NY The Buffalo Icon
8/23/06 Detroit, MI The Shelter
8/24/06 Covington, KY The Madhatter
8/25/06 Lexington, KY Southside Church
8/26/06 Indianapolis, IN The Underground
8/27/06 Chicago, IL Beat Kitchen
8/28/06 Minneapolis, MN Triple Rock
8/29/06 Iowa City, IA Picador
8/30/06 Kansas City, MO The Grand Emporium
9/01/06 Denver, CO Marquis Theatre
9/04/06 San Antonio, TX White Rabbit
9/05/06 Houston, TX Fitzgeralds
9/07/06 Orlando, FL The Backbooth
9/08/06 Gainesville, FL Common Grounds
9/09/06 Tallahassee, FL Beta Bar
9/10/06 West Palm Beach, FL Rays Downtown Blues
9/12/06 Nasvhille, TN The End

In other news, after my silly awards post, two of the 'most missed' blogs have returned - Me You, We Two is back, which is excellent news, and the blogger behind Welcome to the Midwest has a new, non-mp3 blog. Who knew?
Also, check out this interview with Sufjan on Deutschlandradio, a German station, in which he explains that "it's not necessary for me to do another state," and warns about "PR propaganda."
It is an old interview though, from before the Avalanche, so don't get worried or anything.

Wednesday, August 02, 2006

Everything You Ever Wanted To Know About... The Avalanche (But Were Afraid To Ask)

This is the third in a very occasional series of posts explaining all the oblique references in all those favourite albums so beloved of the indie world, yet so packed with perplexing references.
Remember, knowledge is power!



1. The Avalanche
In Asthmatic Kitty's press release, they proudly inform us that:
In his rummaging through old musical memorabilia, Sufjan began to use this song as a meditation on the editorial process, returning to old forms, knee-deep in debris, sifting rocks and river water for an occasional glint of gold. "I call ye cabin neighbors," the song bemuses, "I call you once my friends." And like an avid social organizer, Sufjan took in all the odd musical misfits and gathered them together for a party of their own, like good friends.

The title is also a reference to the Chevrolet Avalanche, which appears on the cover of the album. It was designed by a child. Wow!

2. Dear Mr. Supercomputer
A disco-jazz ode (in 7/8 timing) to the Supercomputer hosted at the University of Illinois at Champaigne-Urbana. The university is the site of the National Center for Supercomputing Applications (NCSA), which created Mosaic, the first graphical Web browser, the foundation upon which Microsoft Internet Explorer is based. And although it is a supercomputer, it does not fight crime. It doesn't even wear a cape.

3. Adlai Stevenson
Adlai Stevenson was a governor of Illinois in the forties, and ambassador to the UN during the Kennedy administration in the sixties. His most famous moment came on October 25, 1962, during the Cuban missile crisis, when he gave a presentation at an emergency session of the Security Council. He forcefully asked the Soviet representative, Valerian Zorin, if his country was installing missiles in Cuba, punctuated with the famous demand "Don't wait for the translation!" in demanding an immediate answer. Following Zorin's refusal to answer the abrupt question, Stevenson retorted, "I am prepared to wait for my answer until Hell freezes over." In a diplomatic coup, Stevenson then showed photographs that proved the existence of missiles in Cuba, just after the Soviet ambassador had said they did not exist.
Peter Sellers claimed that his portrayal of President Merkin Muffley in Dr. Strangelove was modelled on Stevenson.

4. The Vivian Girls Are Visited in the Night by Saint Dargarius and His Squadron of Benevolent Butterflies
Henry Darger was a reclusive American writer and illustrator who worked as a janitor in Chicago, Illinois. His major claim to fame is a 15,143-page fantasy manuscript called 'The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion', along with several hundred watercolor paintings and other drawings illustrating the story. It was only after his death in 1973 that Darger's extraordinary work was discovered.
The Story of the Vivian Girls postulates a large planet around which Earth orbits as a moon and where most people are Christian (mostly Catholic). The majority of the story concerns the adventures of the daughters of Robert Vivian, seven sisters who are princesses of the Christian nation of Abbiennia, who assist a daring rebellion against a regime of child slavery imposed by the "Glandelinians". The latter resemble Confederate soldiers from the American Civil War (Darger, like his father, was a Civil War expert). Children take up arms in their own defense and are often slain in battle, or after vicious torture by the Glandelinian overlords.
In 1968 he wrote 'The History of My Life', a book that spends 206 pages detailing his early life before veering off into 4,672 pages of fiction about a huge twister called "Sweetie Pie."

The cover art of Animal Collective's album Feels is purportedly an homage to Darger's visual style, and 'Lost Girls,' a song by Tilly and the Wall, is based on his work.


5. Chicago (Acoustic Version)
"Hog butcher for the world,
Tool maker, stacker of wheat,
Player with railroads and the nation's freight handler;
Stormy, husky, brawling,
City of the big shoulders."

Carl Sandburg

6. The Henney Buggy Band
The Henney Buggy Company produced sturdy carriages for privileged Illinois residents in the late 19th century - it was founded by John W. Henney in Stephenson in 1879, and the company was liquidated before the US entered World War 1. In 1877 the Henney Company organized its first band, and used hand written music books - by 1886 the band had been fully equipped with instruments, uniforms and a banner.
Henney went back into business afterwards, with a large factory located in Freeport, Illinois, employing over 300 workers in 1939. In the early days it was a buggy factory, but it became a hearse and ambulance factory associated with Packard. It also made equipment for the US Government in both wars, as well as ambulances.
I'm not too sure who Father John is, but I'd like to think it's this guy, a big Michigan Wolverines fan. The Ronald Reagan Memorial Tollway, originally known as the East-West Tollway, is a toll road in northern Illinois, renamed in 2004 after his death. Interestlingly, Reagan once forgot Princess Diana's name, and referred to her as Princess David instead.

7. Saul Bellow
Saul Bellow (1915 – 2005), was an acclaimed Canadian-born American writer of Jewish descent. He won the Nobel Prize in Literature in 1976, and was best known for writing novels that investigate isolation, spiritual dissociation, and the possibilities of human awakening. His early works earned him the reputation as one of the foremost novelists of the 20th century, and by his death he was regarded by many as the greatest living novelist in English. He lived in Chicago, a city which became the setting of many of his novels.
He was sometimes criticised for having a biased view of Israel, and for having praised Joan Peters's fraudulent book, 'From Time Immemorial', which denied the existence of the Palestinian people. In his later years, Bellow could be very curmudgeonly, as for example when he said, "California is like an artificial limb the rest of the country doesn't really need. You can quote me on that."

8. Carlyle Lake
Carlyle Lake is the largest manmade lake within Illinois, with more than 26,000 acres of water and 11,000 acres of land. It is located just 50 miles east of St. Louis, Missouri. They have games too - like Battleship!

9. Springfield, or Bobby Got a Shadfly Caught in His Hair
Springfield is the capital of the U.S. state of Illinois and the county seat of Sangamon County. Abraham Lincoln began his career there, as did the Simpsons, but that could be a different Springfield.
A shadfly is a kind of mayfly that lives only a few days to reproduce, and then dies. It spend most of its life underwater as a larva. It is sometimes also called a Canadian soldier.

10. The Mistress Witch From McClure (Or, The Mind That Knows Itself)
Sufjan: "The Mistress Witch of McClure" song is based on some...[pause] experiences that I had.
Pitchfork: Would you care to elaborate on that at all?
Sufjan: "Probably not, it might be a little incriminating. [laughs]"

McClure is a town in Illinois, you can read about it here.

11. Kaskaskia River
The Kaskaskia River is a tributary of the Mississippi River, approximately 320 mi (515 km) long, in central and southern Illinois in the United States. The second largest river system within Illinois, it drains a rural area of farms, as well as rolling hills along river bottoms of hardwood forests in its lower reaches.

12. Chicago (Adult Contemporary Easy Listening Version)
Chicago Nicknames:

The Windy City
The Second City
Chi-Town
Beirut By The Bay

13. Inaugural Pop Music for Jane Margaret Byrne
Jane Margaret Byrne (born May 24, 1934) was the first female Mayor of Chicago, Illinois. She served from 1979 to 1983. As of 2005, no other woman has been a mayor of a larger American city. Byrne made some progressive moves as mayor, such as hiring the first black school superintendent, and she was the first Mayor to recognize the gay community. Hurray for Irish-American politicians! Except you Joe McCarthy. You shut up.

14. No Man's Land
A rare song in a 17/4 time signature. Sufjan had to pay the estate of socialist folk-musician legend Woody Guthrie to use the lines; "This land is made for you and me," and "This land is yours, this land is mine." Guthrie's lyrics are:

In the squares of the city, In the shadow of a steeple;
By the relief office, I'd seen my people.
As they stood there hungry, I stood there asking,
Is this land made for you and me?

As I went walking, I saw a sign there,
And on the sign there, It said "Private Property"
But on the other side, it didn't say nothing!
That side was made for you and me.

Jo Daviess is a county in Illinois. Panola is a village in Woodford County, Illinois, United States. The population was 33 at the 2000 census.

15. The Palm Sunday Tornado Hits Crystal Lake
The first Palm Sunday Tornado Outbreak occurred on April 11, 1965. Forty-eight tornadoes (38 significant, 19 violent, 21 killers) hit the Midwest, making it the second (or third depending on the final tally of the March 12, 2006 tornado outbreak) biggest outbreak on record. A tornado occurred at Crystal Lake, Illinois, where it destroyed several subdivisions and a golf course. It grazed a junior high school then destroyed several homes in a community called Colby's Home Estates. 145 homes were damaged -- 45 beyond repair as well as a shopping centre. Five people were killed.

16. The Pick-Up
Sufjan used to be a kid, you know.

17. The Perpetual Self, or 'What Would Saul Alinsky Do?
Saul David Alinsky (1909 - 1972) is generally considered the father of community organizing. Many important community and labor organizers worked and studied with him.
Author of Reveille for Radicals, Alinsky encouraged controversy and conflict, often to the dismay of middle-class activists who otherwise would sponsor his activism. Alinsky is often credited with laying the foundation for confrontational political tactics that dominated the 1960s, but late in his life he encouraged holders of stock in public corporations to lend their votes to "proxies" who would vote at annual stockholders meetings in favor of social justice. While his confrontational style took hold in American activism, for a while at least, his call to stock holders to share their power with disenfranchised working poor never took hold in U.S. progressive circles.

18. For Clyde Tombaugh
Clyde William Tombaugh (1906 – 1997) was an American astronomer born in Streator, La Salle County, Illinois, who discovered the planet Pluto in 1930. Some of his ashes are carried on the New Horizons spacecraft which is travelling toward Pluto.
Tombaugh was an active Unitarian-Universalist.

19. Chicago (Multiple Personality Disorder Version)
More Chicago Nicknames:

The Chi
The City by the lake
City of the Big Shoulders
City on the Make
Paris on the Prairie

20. Pittsfield
"The most personal one is "Pittsfield". That one's based on a lot of memories from my childhood, and I sort of transplanted them into this miserable little town in Illinois. Pittsfield is very similar to some of the small towns we grew up around in Northern Michigan."

Pittsfield is a city in Pike County, Illinois. It is the self-proclaimed "Pork Capital" of the Midwest, owing to the long history of pork production in the region, which fed into the large meat-packing industry of Chicago. Though agriculture in the region is no longer so dependant on pork, the town still hosts a yearly "Pig Days" festival.
The theme of family and a difficult childhood is a recurrent one for Sufjan, especially in his short story, 'My Mother, King Tut', which you can read here, and buy here.

21. The Undivided Self (For Eppie and Popo)
Esther "Eppie" Pauline Friedman Lederer, better known as Ann Landers (1918 – 2002), was best known for writing the famous syndicated advice column "Ann Landers." For some 45 years, it was a regular feature in many newspapers across North America. In it, people wrote the columnist for advice and she answered. Lederer's writing style was direct, but often witty and sometimes acerbic.
Landers was an identical twin: her sister, Pauline Esther Friedman Phillips, who was 17 minutes younger than Esther, wrote the Dear Abby column as Abigail Van Buren. As children, they grew up in Sioux City, Iowa, the daughters of Russian Jewish emigrants, and went by the nicknames "Eppie" and "Popo", respectively. They were very close and even had a joint wedding ceremony in 1939 at the age of 21.
As competing columnists, however, the sisters did not have a happy relationship. The sisters publicly reconciled in 1964, although some suggest the acrimony lasted. Just a few years before Lederer's death, they were not on speaking terms; it is said that they reconciled before her death, although that may be subject to question considering that Popo (Abby) was and is suffering from Alzheimer's disease.

Previous Explanations: Illinois, He Poos Clouds

Dear Mr Supercomputer
Opie's Funeral Song
Wolverine
Chicago (original version)
All Good Naysayers, Speak Up! Or Forever Hold Your Peace!"
Borderline

Now you know, and knowing is half the battle.

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